Print Itlov 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'MC Logith' by Maulana Creative, 'Sebino Soft' by Nine Font, and 'Mercedes Serial' by SoftMaker (names referenced only for comparison).
Keywords: children’s books, packaging, posters, stickers, headlines, playful, friendly, whimsical, casual, childlike, handmade feel, approachability, playfulness, display impact, informal branding, rounded, bubbly, soft, wonky, chunky.
A chunky, rounded print style with softly swollen strokes and heavily blunted terminals throughout. Letterforms are simplified and slightly irregular, with gentle wobble in curves and subtle asymmetries that feel drawn rather than mechanically constructed. Counters are generally small-to-medium and often pinched into rounded triangular or teardrop shapes, while joins and intersections stay smooth and bulbous. Spacing is moderately open, and widths vary noticeably from glyph to glyph, creating an animated rhythm in text.
This font suits short, high-impact settings where a friendly, handmade feel is desirable—such as children’s materials, playful packaging, informal posters, stickers, and cheerful display headlines. It can also work for branding accents and social graphics where warmth and approachability are prioritized over a formal, text-centric voice.
The overall tone is cheerful and approachable, with a hand-drawn warmth that reads as informal and lighthearted. Its bouncy proportions and softened edges give it a playful, kid-friendly character, while the consistent heaviness keeps it visually confident and attention-getting.
The design appears intended to emulate a marker- or brush-drawn print alphabet with exaggerated roundness and consistent stroke heft. Its irregularities and simplified shapes aim to convey personality and spontaneity while keeping letterforms clear enough for broad, display-oriented use.
Uppercase forms are compact and sturdy, with rounded geometry that favors simple silhouettes over strict typographic precision. Lowercase letters maintain the same bubbly logic, with single-storey forms where applicable and a generally minimal, print-like construction. Numerals follow the same softened, cartoonish treatment, with rounded bends and compact internal spaces.