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Free for Commercial Use

Blackletter Jera 15 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, titles, branding, packaging, medieval, gothic, dramatic, ornate, ceremonial, historical evocation, decorative texture, dramatic display, crafted feel, calligraphic, broken strokes, sharp terminals, flared strokes, inked.


Free for commercial use
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This typeface uses broken, calligraphic strokes with pronounced thick–thin modulation and crisp, blade-like terminals. Letterforms mix angular joins with occasional rounded bowls, producing a lively, slightly irregular rhythm that feels drawn rather than mechanically constructed. Capitals are wide and expressive with flared entry/exit strokes, while the lowercase shows narrower, more vertical forms with pointed feet and occasional hooked descenders. Numerals echo the same chiseled stroke endings and high-contrast construction, keeping the set visually consistent in text.

Best suited to display sizes where its sharp terminals and broken-stroke detailing remain clear—such as titles, posters, signage, labels, and branding with a historical or fantasy-leaning aesthetic. It can also work for short pull quotes or chapter headings where a dense, ornamental texture is desired.

The overall tone is medieval and ceremonial, with a gothic gravitas that reads as traditional, historical, and slightly theatrical. Its sharp notches and inked curves give it a crafted, manuscript-like presence that can feel imposing or mystical depending on context.

The design intention appears to be a hand-drawn blackletter-inspired display face that evokes manuscript and inscriptional traditions while remaining readable in short passages. Its high-contrast calligraphic logic and emphatic capitals suggest it is meant to create atmosphere and authority rather than serve as a neutral text workhorse.

In the sample text, the strong internal texture created by broken joins and spiky terminals is a defining feature, making word shapes highly decorative. The capitals command attention and can dominate a line, while the lowercase maintains a steady vertical cadence with distinctive, stylized forms that prioritize character over neutrality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸