Print Tikab 3 is a bold, narrow, medium contrast, upright, normal x-height font.
Keywords: packaging, posters, headlines, children’s media, social graphics, playful, friendly, casual, handmade, bouncy, handmade feel, friendly branding, casual display, approachability, playful voice, rounded, brushy, soft terminals, chunky, lively.
A chunky handwritten print with rounded forms and a slightly brush-like stroke that swells and tapers subtly through curves and joins. Letter construction is simple and open, with soft corners, short crossbars, and bulbous bowls that keep counters generous for a hand-drawn style. Vertical strokes are steady and upright, while diagonals and curves introduce a gentle wobble that reads as intentional human variation. Spacing feels compact and uneven in a natural way, reinforcing the informal rhythm across words and lines.
This font works best for short-to-medium settings where personality matters: packaging, café or boutique signage, posters, and social content. It’s also a good fit for children’s materials, crafts, stickers, and playful branding where a handmade, welcoming tone is desired. For body text, it performs most comfortably at larger sizes where the brushy texture and irregular rhythm can read as charm rather than noise.
The overall tone is warm and approachable, with a cheerful, kid-friendly energy. Its bouncy proportions and soft, inky edges suggest an upbeat, conversational voice rather than a formal or technical one. The texture reads like marker or brush lettering, giving text a crafted, personable feel.
The design appears intended to mimic confident hand lettering with consistent weight and a friendly, rounded finish, offering an easygoing alternative to cleaner sans styles. It prioritizes warmth and visibility over strict uniformity, aiming for a natural, drawn-by-hand impression that stays legible in display use.
Uppercase shapes lean toward simplified, sign-like silhouettes, while lowercase adds more personality through looped descenders and rounded shoulders. Numerals are similarly informal and soft, matching the letterforms without looking overly geometric. The stroke endings stay blunt-to-rounded rather than sharp, which keeps the color dense and friendly in longer passages.