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Free for Commercial Use

Sans Superellipse Myri 2 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Blooms' by DearType, 'Grupi Sans' by Dikas Studio, 'Chortler' by FansyType, 'Masifa Rounded' by Hurufatfont, 'HD Node Sans' by HyperDeluxe, 'Otoiwo Grotesk' by Pepper Type, 'Radiate Sans' by Studio Sun, and 'Palo' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, kids media, playful, friendly, bubbly, chunky, casual, approachability, impact, playfulness, signage, rounded, soft, blunt, compact, cartoonish.


Free for commercial use
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A heavy, rounded sans with superelliptical curves and blunt terminals throughout. Strokes are thick and consistently weighted, with generous rounding at corners and minimal sharp joins, giving letters a soft, molded feel. Counters are small-to-moderate and often rounded-rectangular, and spacing reads slightly tight due to the massy letterforms. The lowercase shows a tall, sturdy build with simple, single-storey shapes and compact punctuation-like details (e.g., the i/j dots), while figures are similarly chunky with flattened curves and stable verticals.

Best suited for short, high-impact settings where a friendly, bold voice is needed: headlines, posters, display typography, packaging, and approachable brand marks. It also fits playful UI moments (banners, badges) where clarity at larger sizes matters more than long-form reading comfort.

The overall tone is warm, approachable, and a bit comedic—more like hand-cut signage or children’s packaging than formal editorial typography. Its softness and exaggerated weight create an inviting, low-pressure voice that reads as upbeat and informal.

This font appears designed to deliver maximum visual presence with soft geometry—combining a strong, dark typographic color with rounded, superelliptical forms to keep the tone approachable. The simplified shapes and consistent curvature suggest an emphasis on quick recognition and a playful display personality.

Round letters (O, C, G, e) lean toward squarish, superellipse-like silhouettes, which helps the design feel modern and graphic rather than purely bubbly. Diagonals (V, W, X, Y) remain thick and rounded at joins, prioritizing a unified silhouette over crisp angles.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸