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Free for Commercial Use

Solid Ugha 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Chamelton' by Alex Khoroshok, 'Fattty' by Drawwwn, 'Knicknack' by Great Scott, 'Matryoshka' by Volcano Type, and 'Primal' by Zeptonn (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, kids media, playful, cartoonish, chunky, goofy, retro, attention grab, silhouette focus, texture, humor, display impact, blobby, rounded, faceted, irregular, hand-cut.


Free for commercial use
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A heavy, compact display face built from chunky, mostly closed silhouettes with minimal counters. Letterforms are rounded yet uneven, with faceted corners and wobbly edges that feel cut or pressed rather than drawn with consistent curves. Strokes are thick throughout, terminals are blunt, and internal space is frequently reduced to small slits or disappears entirely, creating a dense, stamp-like texture. Proportions lean toward a large x-height and short extenders, keeping lines visually packed and bold.

Best suited to short, high-impact text such as posters, splashy headlines, packaging callouts, titles, and logo wordmarks where the solid shapes can dominate the layout. It also fits playful or retro-styled projects, especially when set large and with extra spacing to preserve character separation.

The overall tone is humorous and slightly mischievous, with a homemade, cutout quality that reads as cartoon signage or playful poster lettering. Its irregular rhythm and collapsed interiors add a quirky, intentionally imperfect character that feels energetic and attention-seeking.

The design appears intended as a bold novelty display font that prioritizes silhouette and texture over interior detail. By collapsing counters and introducing controlled irregularity, it creates a distinctive, cutout-like voice for attention-grabbing typography.

Because many counters are closed or nearly closed, differentiation relies on outer silhouettes; this can make similar shapes (such as C/G/O/Q or 8/9) feel closer at smaller sizes. The strong black mass and uneven edges give it high impact in short bursts, especially with generous tracking.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸