Sans Superellipse Wijy 2 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, branding, logotypes, posters, ui display, futuristic, tech, sleek, industrial, space-age, tech branding, modern display, systematic geometry, sci-fi tone, rounded, geometric, rectilinear, modular, extended.
A geometric sans built from rounded-rectangle (superelliptic) shapes and consistent stroke weight. Corners are heavily radiused and terminals tend to be softly squared, creating a smooth, modular feel. The proportions are extended with generous horizontal reach, while counters stay open and clean, especially in rounded forms like O, D, and P. Diagonals on A, V, W, X, and Y are crisp and straight, contrasted by pill-shaped curves in C, G, and S; the overall rhythm reads engineered and uniform rather than calligraphic.
Best suited to headlines, logos, and short-form display typography where the wide proportions and rounded-square geometry can be appreciated. It also works well for tech-forward UI titles, product packaging, esports or automotive branding, and poster systems that want a clean but characterful futuristic look.
The font conveys a futuristic, high-tech tone with a calm, controlled precision. Its rounded geometry keeps the mood friendly and streamlined, while the extended width and squared curves suggest sci‑fi interfaces, motorsport graphics, and contemporary product design.
The design appears intended to deliver a contemporary techno aesthetic using superelliptic construction and consistent, monoline structure. It prioritizes a unified, modular silhouette and strong word shapes for display use, aiming for clarity and impact with a sleek, engineered personality.
The uppercase set feels particularly display-oriented, with simplified interior shaping and broad silhouettes. Numerals follow the same rounded-rectangular logic, producing a cohesive, system-like texture in sequences and headings. In text settings, the wide letterforms create an airy line color and a distinctive, modern voice that stands out from neutral grotesks.