Sans Superellipse Asmij 5 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, wayfinding, packaging, posters, minimal, techy, clinical, futuristic, calm, interface clarity, geometric consistency, modern branding, approachable tech, rounded corners, square-leaning, geometric, open apertures, high legibility.
A geometric sans built from rounded-rectangle/superellipse logic, with straight verticals and horizontals meeting in consistently softened corners. Curves are flattened slightly compared to a pure circle, giving bowls and counters a squarish, modular feel. Strokes are even and fine, with clean terminals and a tidy, measured rhythm; spacing reads open and orderly. The lowercase shows single-storey forms (notably a and g), tall ascenders, compact joins, and simple, uncluttered construction, while numerals follow the same rounded-corner geometry for a cohesive texture in text.
Well-suited to UI and product contexts where a clean, modern texture and consistent geometry help maintain clarity—navigation labels, dashboards, settings screens, and tech-forward brand systems. It also works effectively for signage, packaging, and headlines that benefit from a minimal, rounded-square look, and can hold up in short text blocks when a crisp, contemporary voice is desired.
The overall tone is modern and precise, suggesting a quiet “interface” confidence rather than expressive personality. Its rounded-square construction adds friendliness to an otherwise technical voice, keeping it approachable while still feeling engineered and contemporary.
The design appears intended to translate a rounded-rectangle geometry into a practical, readable sans with a distinctly modern, device-friendly flavor. By pairing softened corners with strict linear structure and even strokes, it aims to feel both approachable and precise—ideal for contemporary digital and identity applications.
Distinctive silhouettes come from the rounded-rect bowls in letters like O/Q and the squared-off curves in D/B/P, which keep forms crisp at larger sizes. The diagonals (K, V, W, X) are straight and clean, contrasting with the softened corners elsewhere and reinforcing a structured, grid-like aesthetic.