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Sans Superellipse Fybuz 6 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'PODIUM Sharp' by Machalski, 'Scansky' by Satori TF, and 'Obvia' by Typefolio (names referenced only for comparison).

Keywords: headlines, sports branding, posters, esports, logos, sporty, tech, dynamic, assertive, futuristic, speed, impact, modernity, tech branding, display focus, oblique, squared, rounded corners, stencil-like, angular.


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A slanted, heavy sans with a squared, superelliptical construction: curves resolve into rounded-rectangle bowls and counters, and many terminals finish with crisp, angled cuts. Strokes are generally uniform with only modest modulation, producing a compact, high-impact texture. The capitals are wide and geometric with softened corners, while the lowercase mixes squarish rounds (a, e, o) with sharply cut joins and short, sturdy arms. Figures are similarly squarish and athletic, with the 0 and 8 showing rounded-rect counters and the 1 rendered as a simple, forward-leaning stroke.

Best suited to display roles where speed, strength, and modernity are desired—sports identities, esports and gaming graphics, event posters, product marks, packaging callouts, and high-contrast UI headings. It also works well for short bursts of copy such as banners, titles, and signage where the oblique momentum can be a feature.

The overall tone is fast and performance-oriented, with a techno, motorsport feel. The oblique stance and clipped terminals add urgency and motion, while the rounded-square geometry keeps it contemporary rather than industrially harsh.

The design appears intended to deliver a contemporary, high-energy sans that combines softened squared geometry with aggressive, angled terminals for motion and impact. Its consistent superelliptical bowls and compact, sturdy construction suggest a focus on branding and display environments that benefit from a technical, performance-driven voice.

Spacing and shapes favor headline clarity over small-text delicacy, and the distinctive angled terminals can create a slightly segmented, almost stencil-adjacent impression in some letters. The set reads consistently across uppercase, lowercase, and numerals, with a strong geometric rhythm driven by repeated rounded-rectangle forms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸