Solid Moja 7 is a very bold, narrow, low contrast, reverse italic, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Hadney Buddy' by Arterfak Project, 'Passiflora' by Compañía Tipográfica de Chile, 'Dopeness' by Crumphand, 'Chop Crap' by Flawlessandco, 'Knicknack' by Great Scott, 'Galpon Pro' by RodrigoTypo, 'SG Larchett' by Studio Gulden, and 'Matryoshka' by Volcano Type (names referenced only for comparison).
Keywords: posters, headlines, stickers, kids media, packaging, playful, goopy, cartoonish, bubbly, mischievous, high impact, playful display, tactile feel, novelty branding, cartoon energy, blobby, puffy, rounded, soft, chunky.
This typeface is built from heavy, blobby silhouettes with fully rounded terminals and an ink-squish irregularity that makes each letter feel hand-formed. Counters are largely pinched shut or reduced to small notches, so the forms read as solid masses rather than open structures. Curves dominate and straight segments are scarce; joins appear melted together, producing lumpy shoulders, bulbous bowls, and occasional teardrop-like cut-ins that hint at interior structure. The rhythm is dense and compact, with closely packed strokes and minimal internal whitespace, giving words a continuous, puffy texture.
Best suited to large display settings where the chunky silhouettes and gooey edges can be appreciated—posters, bold headlines, playful packaging, stickers, and social graphics. It can also work for kids-oriented titles or novelty branding where maximum personality matters more than fine readability.
The overall tone is playful and gooey—more like soft clay, slime, or inflated shapes than traditional lettering. It suggests humor, childlike energy, and a deliberately messy charm, with a slightly mischievous, candy-coated feel.
The design appears intended to deliver a high-impact, characterful display voice by exaggerating weight and softness while minimizing interior openings. Its lumpy, melted construction prioritizes a fun, tactile impression—like lettering made from foam, dough, or slime—creating a distinctive solid texture in words.
Because the counters are mostly collapsed, letter recognition depends strongly on outer silhouettes; at smaller sizes the texture can become an almost abstract band of black. The irregular curves introduce a lively, handmade cadence across lines, but also increase the risk of similar shapes (especially in rounded letters) blending together when tightly set.