Font Hero

Free for Commercial Use

Calligraphic Asmu 2 is a very bold, normal width, medium contrast, upright, normal x-height font.

Keywords: posters, book covers, headlines, packaging, branding, storybook, medieval, playful, gothic, rustic, expressive display, historic flavor, handcrafted feel, theatrical impact, wedge serifs, angular, chiseled, rounded joins, irregular rhythm.


Free for commercial use
Customize the font name

This font features heavy, sculpted letterforms with pronounced wedge-like terminals and a slightly chiseled, hand-cut silhouette. Strokes show subtle swelling and tapering, with brisk angular turns softened by rounded joins, creating a lively rhythm across words. Uppercase forms are broad and declarative, while lowercase maintains compact bowls and sturdy stems, keeping texture dense and dark. The numerals match the same carved, calligraphic construction, with generous interior counters and emphatic entry/exit strokes.

Well-suited for display contexts such as posters, book covers, game or film titles, and branding that aims for a historic or fantastical flavor. It can also work for packaging or labels where a handcrafted, traditional feel is desired. For longer passages, it performs best in short bursts—subheads, pull quotes, or chapter openers—at comfortable sizes and leading.

The overall tone feels storybook and old-world, evoking medieval signage, folk printing, and fantasy titling. Its energetic, slightly irregular cadence reads as handmade rather than mechanical, giving text a theatrical, character-driven voice. The bold presence and decorative terminals add a sense of drama without becoming overly ornate.

The design appears intended to translate broad-pen calligraphy and carved-letter aesthetics into a bold, highly legible display face. By combining strong wedges, slightly uneven motion, and sturdy proportions, it aims to deliver an expressive, period-leaning voice that remains readable and cohesive across mixed-case text and numerals.

Word shapes are highly textured due to the strong terminal treatment and varied stroke endings, so spacing and line breaks noticeably influence the visual flow. The design rewards larger sizes where the carved details and wedge serifs remain distinct, while tight settings can become visually busy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸