Sans Superellipse Wuva 7 is a bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, sports branding, tech branding, techy, industrial, futuristic, assertive, retro, display impact, sci-fi feel, branding distinctiveness, athletic utility, rounded corners, squared curves, blocky, compact apertures, stencil-like cuts.
A heavy, wide sans built from squared curves and rounded-rectangle geometry. Strokes are predominantly straight with softened corners, producing superellipse-like counters in letters such as O, D, and P. Several uppercase forms feature intentional interior breaks and notches (notably A, B, and G), giving a subtly segmented, stencil-like feel without becoming a full stencil. Lowercase maintains sturdy, compact shapes with small apertures and a single-storey a; terminals are mostly flat and orthogonal, and the overall texture is dense and highly graphic.
Best suited to large sizes where the squared curves, notches, and dense counters can read cleanly—headlines, posters, branding marks, and title treatments. It also fits sports- or motorsport-adjacent graphics, packaging, and UI/overlay moments that benefit from a bold, engineered presence rather than extended body text.
The overall tone is technical and industrial, with a futuristic, engineered flavor. The rounded-square construction and crisp breaks evoke sci‑fi interfaces, athletic numbering, and transport or equipment labeling, reading as confident and slightly retro-digital rather than friendly or handwritten.
The design appears aimed at delivering a compact, high-impact display sans with a distinctive rounded-square skeleton and signature cut details for recognition. Its wide stance and simplified construction prioritize strong, programmable-looking silhouettes that hold up well in bold branding and signage contexts.
The numerals are especially square and display-oriented, with tight interior spaces and consistent corner rounding that matches the capitals. Diacritics and punctuation are not shown, but the demonstrated alphabet and figures suggest the design prioritizes strong silhouettes and high-impact word shapes over open readability at small sizes.