Sans Superellipse Asbon 2 is a light, very narrow, medium contrast, upright, normal x-height font.
Keywords: headlines, editorial, posters, branding, packaging, modern, elegant, minimal, refined, space saving, modernism, geometric clarity, display elegance, system branding, condensed, monolinear, rounded corners, soft geometry, open counters.
A condensed, monolinear sans with softly squared (superelliptic) curves and rounded-rectangle bowls. Strokes stay consistently light with subtle contrast effects appearing mainly in joins and curves rather than true stroke modulation. Terminals are clean and largely blunt, with gentle rounding that keeps the texture smooth. The lowercase is compact with tidy apertures and a straightforward, single‑storey “a,” while the overall rhythm is tight and vertical, producing an even, high-density line of text. Numerals follow the same narrow, streamlined construction, with the “0” and other round forms appearing more like rounded rectangles than circles.
This font is well suited to headlines, subheads, and short editorial settings where a sleek, condensed voice is desirable. It can also support branding and packaging systems that benefit from a modern, space-efficient wordmark style, especially where a clean, geometric tone is needed.
The overall tone is contemporary and poised, balancing a minimalist, architectural feel with a slightly softened friendliness from the rounded geometry. Its tall, narrow stance reads as stylish and controlled, lending an upscale editorial flavor without becoming decorative.
The design appears intended to deliver a space-saving, modern sans with a signature rounded-rectangle geometry, prioritizing consistent texture and a polished, editorial presence. Its narrow proportions and softened corners suggest an aim to feel contemporary and refined while staying highly controlled and legible at display sizes.
Distinctive superelliptic rounding is consistent across bowls and counters, giving letters like C, D, O, Q, and U a cohesive rounded-rectangle logic. The uppercase presence is strong and linear, and the tight sidebearings create a clean, poster-like compactness that remains orderly in longer text samples.