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Sans Other Abdap 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Fox Miguel' by Fox7, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Organetto' by Latinotype, 'Marquee' by Pelavin Fonts, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, stickers, playful, friendly, chunky, quirky, retro, friendly impact, playful display, retro flavor, handmade feel, rounded, soft corners, irregular, bouncy, compact.


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A heavy, compact sans with rounded terminals and softly bulging bowls that create a sturdy, cushioned silhouette. Many strokes show subtle, intentional irregularities—slight tilts, uneven joins, and gently shifting widths—that give the texture a hand-cut or stamped feel while staying broadly geometric and legible. Counters are relatively small and apertures tend to be tight, producing a dense color in text. The uppercase is broad-shouldered and simplified, while the lowercase keeps similarly chunky forms with single-storey shapes and straightforward, blocky constructions.

Best suited to display settings where strong presence and personality are desired—posters, headlines, bold branding, product packaging, and short callouts. It can work for brief, large-size copy (taglines or slogans), but the dense weight and tight apertures make it less ideal for long passages at small sizes.

The overall tone is upbeat and approachable, with a bouncy rhythm that feels informal and slightly mischievous. Its softened geometry and deliberate unevenness evoke retro display lettering and casual packaging typography rather than strict, corporate modernism.

Likely designed to deliver maximum impact with an amiable, slightly imperfect voice—combining a bold sans foundation with playful, hand-made quirks to feel energetic and approachable in advertising and identity contexts.

In running text the weight creates a strong typographic “wall,” so spacing and line breaks matter; the font reads best when given generous leading and used at sizes where the counters don’t clog. The figures match the chunky style with simple, rounded forms and consistent heft.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸