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Free for Commercial Use

Distressed Falo 5 is a very bold, narrow, very high contrast, upright, normal x-height font visually similar to 'Pantograph' by Colophon Foundry, 'Trade Gothic Next' and 'Trade Gothic Next Soft Rounded' by Linotype, and 'Gigenham' by Maulana Creative (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, stickers, playful, handmade, retro, quirky, folksy, add texture, feel handmade, create impact, suggest nostalgia, enhance character, rounded, soft corners, inky, uneven, compact.


Free for commercial use
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A compact, heavy display face with tall, narrow proportions and rounded, softened terminals. Strokes show deliberate irregularity: slightly wobbly outlines, uneven edges, and small interior nicks that suggest inky stamping or worn print. Counters are tight and occasionally pinched, creating a dense texture, while widths vary from glyph to glyph for an informal rhythm. The overall silhouette stays upright and legible, but the surface texture and subtle inconsistencies keep it intentionally imperfect.

Best suited to display use where texture and personality are an asset: posters, headlines, packaging, labels, and branding for casual or craft-oriented products. It also works well for short bursts of text in social graphics and merchandise, where its compact heft can hold up at a distance.

The font conveys a playful, handmade energy with a lightly vintage, craft-printed feel. Its chunky forms read friendly and approachable, while the distressed texture adds character and a touch of grit without becoming chaotic. The tone lands between quirky and nostalgic—casual, fun, and attention-getting.

The design appears intended to deliver a bold, condensed impact while feeling human and tactile—like inked lettering or imperfect print pulled from a worn plate. Its controlled irregularities aim to add warmth and personality to simple, upright forms, making it an expressive choice for themed display typography.

The distress is integrated into the letterforms rather than applied as random noise, appearing as small edge bites and internal notches that remain consistent across capitals, lowercase, and numerals. Spacing feels tight and compact, producing a strong, poster-like color in text lines, especially at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸