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Sans Rounded Umga 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bilya Layered' by Cerri Antonio, 'Heavitas Neue' by Graphite, 'Linotte' by JCFonts, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, logos, packaging, posters, children’s media, playful, friendly, bubbly, approachable, soft, approachability, display impact, simplicity, brand friendliness, rounded, chunky, compact, smooth, high-contrast-free.


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This typeface uses thick, even strokes with generously rounded terminals and corners, creating a soft, pill-shaped silhouette throughout. Counters are open and circular, and curves dominate over straight edges, giving forms like O, C, and S a smooth, inflated feel. The lowercase is simple and geometric with single-storey a and g, a round i/j dot, and short, rounded extenders; the overall rhythm is compact and sturdy with clear, consistent spacing. Numerals are equally rounded and heavy, with simplified construction that favors legibility at display sizes.

Well-suited for headlines, brand marks, and short messaging where a friendly, attention-grabbing presence is desired. It works particularly well for packaging, posters, app/UI callouts, and kid-oriented or playful consumer products, and can add warmth to labels and social graphics.

The overall tone is cheerful and welcoming, with a toy-like softness that reads as casual and friendly rather than formal. Its heavy, rounded shapes feel warm and non-threatening, lending a lighthearted, contemporary personality.

The design appears intended to deliver maximum approachability and impact through thick, rounded forms and simplified construction. It prioritizes a soft, contemporary feel and strong readability in display contexts over typographic nuance for long-form text.

The design relies on uniform stroke weight and large rounding, which helps maintain visual consistency across mixed-case settings and punctuation in the sample text. The boldness and tight internal shapes suggest it will look best when given ample size and breathing room, especially in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸