Blackletter Opbo 2 is a very bold, normal width, high contrast, upright, normal x-height font.
Keywords: mastheads, posters, packaging, album covers, book covers, medieval, authoritative, dramatic, heraldic, ceremonial, historic evocation, dramatic display, traditional authority, ornamental impact, angular, ornate, compact, diamond tittle, sharp terminals.
This typeface features dense, very dark letterforms built from sharply faceted strokes and pronounced broken curves. Stems are sturdy and upright, with high-contrast transitions where strokes swell into wedge-like joins and taper to crisp points. Counters are relatively tight, and many bowls show characteristic blackletter-style interior cuts that create a chiseled, segmented rhythm. The lowercase is compact with a modest x-height, narrow apertures, and diamond-like tittles on i/j; numerals follow the same angular, calligraphic construction and feel weighty and emphatic.
This font is well suited to display work such as mastheads, titles, posters, and high-impact branding where a historic or ceremonial voice is desired. It can also work well on labels and packaging for traditional, gothic, or craft-themed products, and for book or album covers that benefit from a strong old-world texture.
The overall tone is historic and ceremonial, evoking manuscript tradition, heraldry, and old-world craft. Its heavy presence and sharp geometry project authority and drama, making the text feel formal, traditional, and slightly imposing.
The design appears intended to reinterpret traditional blackletter calligraphy in a bold, print-ready form, emphasizing sharp terminals, faceted curves, and a dense texture for dramatic display impact. Its consistent angular construction suggests a goal of delivering a classic medieval voice with strong visual punch in short headlines and titling.
At larger sizes the crisp internal notches and pointed terminals read clearly and contribute to a strong texture; in smaller settings the dense counters and intricate joins can make long passages feel busy. Capital forms are especially commanding and ornamental, creating prominent word shapes and a rhythmic, black page color.