Sans Superellipse Rabuk 6 is a regular weight, very narrow, low contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, editorial, art deco, modernist, elegant, minimal, space-saving, display impact, geometric clarity, retro-modern style, condensed, monoline, geometric, rounded, tall x-height.
A condensed, monoline sans with tall proportions and a strong vertical rhythm. Curves are built from rounded-rectangle/superellipse shapes, giving round letters like O and Q a softly squared geometry rather than a perfect circle. Terminals are clean and mostly flat, and many joins favor straight strokes with gentle curvature at corners. Counters are relatively generous for the width, while the overall spacing and narrow set create a crisp, columnar texture. Figures and capitals follow the same streamlined construction, with a particularly distinctive ring-like zero and circular forms.
Best suited for headlines, posters, and display typography where its condensed build can save space while maintaining a strong vertical presence. It also fits branding and packaging that want a modern-deco, boutique feel, and can work for editorial pull quotes or section headers where its distinctive round forms can carry personality.
The overall tone reads as Art Deco–adjacent and modernist: sleek, refined, and slightly theatrical without becoming decorative. Its tall, condensed stance and polished curves convey sophistication and a retro-futurist flavor suited to stylish, curated applications.
The design appears intended to deliver a streamlined, space-efficient display sans that blends geometric construction with softened, superelliptical curves. Its goal seems to be a recognizable, stylish voice that remains clean and legible at larger sizes while projecting a premium, design-forward character.
Several glyphs emphasize geometry over calligraphic logic, producing a consistent “designed” feel across the set. The circular/rounded-rect forms stand out as a signature motif, especially in O/Q and the zero, which can become a focal point in headlines.