Cursive Tenil 8 is a regular weight, narrow, high contrast, italic, short x-height font.
Keywords: logos, packaging, invitations, social media, quotes, friendly, playful, romantic, crafty, casual, handmade feel, expressive script, brand charm, display flair, brushy, looping, bouncy, connected, swashy.
A lively, brush-pen script with a rightward slant and crisp thick–thin modulation. Strokes feel pressure-driven, with tapered entries and exits, rounded terminals, and occasional swashy turns on capitals. Letterforms are narrow and tall with compact counters and a relatively low x-height, creating a vertical rhythm despite the cursive flow. Connections are frequent in lowercase, while capitals remain more standalone and gestural, giving words a handwritten, slightly variable cadence.
Works best for display settings such as logos, product packaging, invitations and greeting cards, social posts, and short quote graphics where its brushy contrast and looping connections can be appreciated. It’s well-suited to headlines and accent text rather than long paragraphs, especially when set with comfortable tracking and line spacing.
The font conveys an upbeat, personable tone—like quick, confident handwriting made with a flexible brush. Its looping shapes and soft terminals read as warm and approachable, with a hint of romance and craft-market charm. The energetic stroke contrast adds a touch of flair without feeling formal.
Designed to mimic a natural brush-pen hand with expressive contrast and quick cursive connectivity, aiming for a personable, stylish look that stands out in short, brand-forward messaging. The narrow, upright rhythm and energetic capitals suggest an emphasis on compact wordmarks and punchy display lines.
Uppercase characters show the most personality, with simplified brush-script constructions and occasional flourish-like curves that can become focal points in short phrases. Numerals are similarly handwritten and slightly irregular in width, matching the script’s organic rhythm. At smaller sizes, the tight joins and contrast may benefit from generous spacing to keep forms from visually closing in.