Sans Superellipse Hanay 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Baru Sans' by Kereatype, 'Lota Grotesque One' by Latinotype, 'Lota Grotesque' by Los Andes, 'Goga' by Narrow Type, and 'Segment' by Typekiln (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, signage, industrial, techy, sporty, assertive, modern, impact, clarity, modernization, geometric unity, durability, rounded corners, octagonal, squared-round, blocky, geometric.
A heavy, geometric sans with a squared-round construction: curves resolve into rounded corners and soft chamfers, giving bowls and counters a superelliptical, almost octagonal feel. Strokes are uniform and sturdy, with tight apertures and compact counters that emphasize solidity at display sizes. Uppercase forms are wide and stable, with straight-sided curves in letters like C, O, and G, while diagonals (A, V, W, X) are crisp and symmetrical. Numerals match the same rounded-rectangle logic, producing a cohesive, engineered rhythm across letters and figures.
Best suited to headlines and short blocks of text where its dense, blocky forms read clearly and project strength—such as brand wordmarks, athletic or tech packaging, posters, UI headers, and wayfinding/signage. It can work for brief paragraphs at larger sizes, but the tight counters suggest it will be most effective when given space and scale.
The overall tone is confident and mechanical, reading as contemporary and utilitarian with a subtle sci‑fi/tech flavor. Rounded corners soften the impact just enough to feel friendly, but the dominant impression remains strong, structured, and performance-oriented.
The font appears designed to deliver a robust, contemporary voice built from rounded-rectangle geometry, prioritizing uniformity and a strong silhouette. Its softened corners and modular curves suggest an intention to blend industrial precision with approachable modernity for high-impact display use.
The design language is consistent across cases: lowercase inherits the same squared curves and compact internal spaces, and punctuation such as the dot and colon appears bold and prominent. The Q’s tail and the G’s internal bar are treated with the same blunt, geometric decisiveness, reinforcing a monolithic, built-from-modules aesthetic.