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Free for Commercial Use

Sans Superellipse Rekom 2 is a light, narrow, low contrast, upright, normal x-height font visually similar to 'FF Good' by FontFont (names referenced only for comparison).

Keywords: ui text, product design, wayfinding, editorial text, data display, clean, modern, neutral, efficient, technical, clarity, system design, legibility, neutrality, versatility, monoline, rounded, open apertures, crisp, economical.


Free for commercial use
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This typeface is a monoline sans with softly rounded terminals and a subtly squared, superelliptical logic in its curves. Strokes stay even and clean, with minimal modulation and a calm, consistent rhythm across capitals, lowercase, and numerals. Counters are compact but clear, and many forms show open apertures (notably in letters like e, c, and s), supporting legibility in running text. The lowercase uses straightforward, contemporary constructions with simple shoulders and tidy joins, while the numerals are clean and utilitarian with similarly rounded finishing.

This font suits interface typography, product and brand systems, and informational design where clarity and consistency are priorities. Its even stroke weight and open forms help it hold up in paragraphs and mixed-case settings, while the tidy numerals make it appropriate for dashboards, tables, and other data-forward layouts.

The overall tone is modern and matter-of-fact, with a friendly edge coming from the rounded corners and smooth curves. It reads as efficient and system-like rather than expressive, making it feel dependable, clear, and quietly contemporary.

The design appears intended to provide a clean, contemporary sans for everyday communication, combining geometric discipline with softened corners for approachability. It aims for dependable readability and a restrained visual footprint that integrates easily into systematic design environments.

Capital shapes are restrained and geometric, with round letters leaning toward rounded-rectangle silhouettes rather than perfect circles. Diagonals (such as in A, V, W, X, and Y) are crisp and balanced, and the punctuation in the sample text sits unobtrusively, reinforcing a pragmatic, UI-ready personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸