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Free for Commercial Use

Sans Normal Lylis 2 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Faculty' by Device, 'Danos' by Katatrad, 'Allotrope' and 'Argumentum' by Kostic, and 'Taz' by LucasFonts (names referenced only for comparison).

Keywords: sports branding, posters, headlines, packaging, merchandise, sporty, punchy, energetic, retro, loud, impact, motion, branding, display, emphasis, slanted, compact, blocky, rounded, inky.


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A heavy, forward-slanted sans with compact, rounded counters and a distinctly chunky silhouette. Curves are smooth and geometric, while terminals are broadly cut and slightly angled, giving strokes a carved, wedge-like finish rather than a soft taper. The overall rhythm is tight and dense, with short apertures and sturdy joins that keep forms closed and powerful at display sizes. Numerals and letters share the same muscular construction, producing a consistent, high-impact texture in words and lines.

Best suited to short, prominent text where weight and slant can do the work: sports identities, team apparel, energetic posters, bold web headers, and packaging that needs immediate shelf impact. It also works well for punchy labels, stickers, and social graphics where a compact, italicized word shape helps create motion and emphasis.

The face communicates speed and force, with a bold, athletic voice that feels at home in competitive or high-energy contexts. Its slant and thick forms add urgency and momentum, while the rounded geometry keeps the tone friendly rather than aggressive. The overall impression is distinctly retro, reminiscent of classic sports branding and poster titling.

The font appears designed to deliver maximum visual impact with a sense of movement, using a strong oblique stance and tightly packed forms to create a fast, assertive typographic block. Its rounded, geometric construction suggests a contemporary reinterpretation of classic sporty display lettering, optimized for attention-grabbing titles rather than quiet reading.

The design favors compact internal space and relatively closed shapes, which strengthens impact but can reduce clarity at smaller sizes or in long passages. In all-caps settings it reads as strong and uniform; in mixed case, the lowercase maintains the same dense, weighty color, keeping emphasis consistently high.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸