Sans Superellipse Alloj 5 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: ui labels, tech branding, product titles, signage, posters, tech, modular, futuristic, utilitarian, clean, systematic geometry, digital aesthetic, modern clarity, distinct identity, rounded corners, squared curves, monolinear, compact, geometric.
A geometric sans built from squared-off curves and rounded-rectangle (superellipse-like) counters. Strokes are largely monolinear with crisp terminals and consistent corner radii, creating a modular, engineered rhythm across the alphabet. Uppercase forms feel compact and boxy with softened corners (notably in C, D, O, Q, and G), while lowercase keeps simple, mechanical construction with single-storey a and g and squared bowls. Numerals follow the same rounded-rectangle logic, with angular joins and tight apertures that maintain a uniform, grid-friendly texture in text.
Well suited to user interfaces, dashboards, and on-screen labeling where a clean, structured look is desired. It also works effectively for technology and hardware branding, product titles, and compact signage, especially when a modern, geometric voice is needed. In print or large sizes, its distinctive squared-round forms can add character to posters and packaging without becoming ornamental.
The overall tone is contemporary and technical, with a subtle sci‑fi and industrial flavor. Its softened corners keep it approachable, but the squared geometry reads as precise and system-oriented, lending a gadget/console aesthetic rather than a humanist one.
The likely intent is a modern geometric sans with a superellipse construction that feels systematic and digitally native. By standardizing corner radii and squaring off curves, the design aims to balance friendliness with precision, delivering a distinctive tech-forward identity while remaining straightforward to read in short-to-medium text.
The design emphasizes clarity through simplified silhouettes and consistent shaping of curves into rounded rectangles. Letterforms like J and S show controlled, slightly squared curvature, and the Q uses a short, integrated tail that preserves the closed, boxy counter shape. In running text, the even stroke weight and repetitive corner treatment produce a steady, engineered color that favors headings and interface-style labeling.