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Free for Commercial Use

Serif Other Erfy 9 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'New Bodoni DT' by DTP Types, 'Chamberí' by Extratype, 'Operetta' by Synthview, and 'Basilia' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, mastheads, branding, packaging, dramatic, fashion, editorial, theatrical, luxury, display focus, stylized classic, decorative carving, brand impact, stencil-like, didone-like, high-waisted, ink-trap, ball terminal.


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This typeface presents a sharply contrasted serif construction with thick vertical stems and hairline-like connecting strokes that create a crisp, engraved look. Many forms incorporate stencil-like interruptions and cut-ins, producing deliberate negative spaces inside strokes and counters rather than continuous outlines. Serifs are fine and pointed, with a mix of bracketless, knife-like terminals and occasional ball- or teardrop-style details, giving the letters a sculpted, display-oriented rhythm. The overall geometry is fairly upright and formal, with compact curves, narrow apertures, and strong vertical emphasis that reads best at larger sizes.

Best suited to display contexts such as magazine headlines, fashion or beauty branding, event posters, and premium packaging where its contrast and cutout detailing can be appreciated. It can also work for short editorial pulls or title cards, especially when generous size and spacing are available. For long-form text, it is likely most effective as an accent rather than a primary reading face.

The tone is dramatic and high-style, evoking fashion mastheads, stage posters, and art-forward editorial typography. The sharp contrast and intentional breaks add a slightly mysterious, performative character that can feel both luxe and subversive. It suggests sophistication with a decorative edge rather than everyday neutrality.

The design appears intended to reinterpret a classic high-contrast serif model through decorative, stencil-like carving and stylized terminals, prioritizing distinctive texture and personality in large-scale settings. Its visual system emphasizes dramatic contrast and controlled disruption to create memorable headline typography.

The internal cutouts and extreme stroke transitions create distinctive word shapes and strong texture in headlines, but also introduce busy detail that can reduce clarity in small sizes or dense paragraphs. Numerals and capitals carry the same carved, stylized logic, helping maintain consistency across titling systems.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸