Outline Miro 11 is a very light, very wide, low contrast, italic, tall x-height font.
Keywords: headlines, posters, sportswear, logos, packaging, sporty, retro, playful, energetic, bold, display impact, motion, layering, branding, oblique, extended, outlined, inline-free, rounded corners.
A slanted, extended outline design built from a single, even contour with open counters and no interior fill. Letterforms lean forward with a consistent rightward oblique and broad proportions, while corners are subtly rounded to keep the geometry smooth. Strokes maintain uniform thickness and spacing, creating a clean, airy rhythm; the lowercase shows a tall x-height and simplified, sturdy shapes that read clearly even as outlines. Numerals and capitals share the same forward-leaning, wide stance, giving the set a cohesive, display-oriented texture.
Best suited for large-scale display settings such as headlines, posters, event graphics, and branded lockups where the outline can stay crisp. It also fits sporty and retro-leaning applications—apparel graphics, team-inspired merchandise, packaging, and storefront or signage-style treatments—especially when paired with solid fills, shadows, or color layers behind the outlines.
The overall tone feels sporty and upbeat, with a retro sign-paint and athletic-lettering flavor driven by the forward slant and wide stance. Its hollow outline look reads as light-on-its-feet and attention-seeking, suggesting motion and confidence without becoming aggressive.
The design appears intended as a lightweight, attention-grabbing display face that delivers motion through an oblique axis and impact through extended proportions. Its outline-only construction suggests it was made to layer, stroke, or decorate in graphic compositions while keeping the letterforms open and visually nimble.
The outlined construction makes the font highly dependent on background contrast and size; at smaller sizes the open contours can look delicate, while at larger sizes the generous width and consistent contour create strong, graphic presence. The oblique angle is pronounced enough to add momentum while keeping forms recognizable and stable.