Sans Faceted Ufma 2 is a very bold, narrow, medium contrast, italic, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Diamante EF' by Elsner+Flake, 'Morgan Poster' by Feliciano, 'Mothem' by Gerobuck, 'Diamante Serial' by SoftMaker, and 'TS Diamante' by TypeShop Collection (names referenced only for comparison).
Keywords: headlines, posters, sportswear, logos, packaging, sporty, industrial, aggressive, compact, dynamic, impact, speed, space-saving, ruggedness, modernity, chamfered, angular, blocky, condensed, slanted.
A tightly set, heavy-ink sans with a consistent forward slant and a compact, vertical stance. Letterforms are built from straight strokes and clipped corners, replacing curves with chamfered facets that create a crisp, mechanical silhouette. Counters are small and rectangular/hex-like, apertures are restrained, and terminals end in hard, planar cuts. Overall rhythm is dense and punchy, with squared-off proportions and a uniform, stencil-like geometry across caps, lowercase, and numerals.
Best suited for short, high-contrast applications such as headlines, posters, team or event graphics, and bold logo wordmarks where its compact width and strong slant can add momentum. It also works well on packaging or labels that benefit from a rugged, industrial edge.
The font projects speed and impact, with a tough, competitive tone that reads as athletic and utilitarian. Its sharp facets and compressed rhythm give it an assertive, no-nonsense voice suited to high-energy messaging.
The design appears intended to deliver maximum impact in limited horizontal space while maintaining a cohesive, machined aesthetic. By standardizing chamfered corners and straight-sided counters, it aims for a fast, sporty look that remains legible at display sizes.
The faceting is especially evident in rounded letters and numerals, where corners are consistently beveled rather than smoothly curved. The digit set follows the same angular logic, yielding sturdy, sign-like figures that feel engineered for emphasis.