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Free for Commercial Use

Sans Superellipse Penap 7 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Judgement' by Device, 'EFCO Growers' by Ilham Herry, 'Handmade Gothic JNL' by Jeff Levine, 'Cachiyuyo' by MendozaVergara, 'Interrupt Display Pro' by T4 Foundry, 'FTY Strategycide' by The Fontry, and 'Kircher' by Turto Studio (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, industrial, retro, assertive, compact, utilitarian, high impact, space saving, signage style, technical tone, rounded corners, rectilinear, stencil-like, condensed, blocky.


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This typeface uses heavy, compact letterforms built from rounded-rectangle geometry, with soft corners and mostly uniform stroke thickness. Curves are squarish and superelliptical rather than circular, creating a strong vertical rhythm and a tightly packed silhouette. Counters tend to be narrow and slot-like, and several joins and terminals read as notches or cut-ins, giving a subtly stencil-like, engineered feel. Uppercase and lowercase share a consistent, condensed structure, and the numerals match the same squared, rounded construction for a cohesive set.

It performs best in display contexts such as headlines, posters, logos, and packaging where its compact width and heavy mass create immediate presence. It also suits signage and wayfinding-style applications that benefit from sturdy, uniform strokes and a simplified, engineered geometry.

The overall tone is bold and no-nonsense, with an industrial, retro-technical character. Its compressed shapes and squared curves feel like signage, machinery labeling, or sport/utility branding—confident, functional, and attention-grabbing.

The design appears intended to deliver maximum impact in a constrained horizontal footprint while keeping a friendly edge through rounded corners. Its squared curves and slot counters suggest a purpose-built, industrial display style optimized for bold statements and high visual consistency across letters and numbers.

The design favors straight sides and flat terminals, with rounded corners doing most of the softening. Dense spacing and narrow counters increase impact at larger sizes but can make interior spaces feel tight in smaller settings, especially in letters with multiple verticals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸