Sans Superellipse Berah 2 is a light, very narrow, low contrast, italic, tall x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, tech ui, sleek, condensed, dynamic, modern, technical, space saving, speed cue, modern display, compact branding, streamlined tone, monoline, oblique, tall, linear, austere.
A sharply slanted, monoline sans with extremely condensed proportions and tall, upright stems. Curves are built from narrow, rounded-rectangle forms, giving bowls and counters a superelliptical feel rather than fully circular geometry. Terminals are mostly clean and unadorned, with a consistent stroke and minimal modulation, creating a smooth, continuous rhythm across letters and numerals. Spacing appears tight and vertically driven, with narrow sidebearings and a strong forward-leaning texture in text.
Best suited to short, high-impact settings such as headlines, posters, logotypes, packaging accents, and event or sports graphics where a fast, streamlined voice is desirable. It can also work for interface labels or dashboards when space is tight, though longer passages may require larger sizes and generous line spacing to maintain readability.
The overall tone is sleek and kinetic, suggesting speed and efficiency rather than warmth. Its strict narrowness and disciplined outlines feel contemporary and slightly industrial, with a futuristic edge that reads as purposeful and engineered.
The design appears intended to deliver maximum presence in minimal horizontal space while projecting a sense of speed and modernity. Its superelliptical round forms and disciplined monoline construction point to a goal of clean, engineered legibility with a distinctive, forward-leaning attitude.
Distinctive, elongated bowls and counters emphasize verticality, while the pronounced slant produces a strong directional flow in longer strings. The design’s simplicity and consistent stroke behavior keep the texture even, but the extreme condensation makes individual letterforms feel specialized and display-oriented.