Sans Superellipse Laze 5 is a very bold, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, logos, posters, gaming ui, sci-fi titles, futuristic, techno, industrial, sleek, confident, sci-fi styling, interface look, brand impact, geometric system, rounded corners, squared forms, modular, monoline, inline cuts.
A heavy, rounded-rectangular sans with monoline strokes and pronounced corner radii. Many glyphs are built from flattened superelliptical bowls and straight segments, producing a modular, engineered rhythm. Counters tend to be wide and rectangular, and several letters use distinctive internal cut-ins or “slot” shapes (notably in forms like E, S, and some numerals), adding a technical, segmented feel. Joins are clean and geometric, terminals are rounded, and spacing reads open enough for short bursts while staying visually dense at text sizes due to the weight.
Best suited to display settings where its bold, modular shapes can read as a deliberate aesthetic: branding and logotypes, sci‑fi or gaming titles, poster typography, and UI/overlay graphics. It works particularly well on dark backgrounds or in high-contrast layouts where the internal cut details remain visible and contribute to the overall texture.
The overall tone is futuristic and machine-made, with a sporty sci‑fi edge. Its rounded-square geometry feels modern and controlled rather than playful, suggesting dashboards, hardware, and digital interfaces. The inline cut details add a sense of motion and circuitry, giving the face an assertive, high-tech personality.
The design appears intended to deliver a contemporary, tech-forward look using rounded-square geometry and consistent monoline construction. The segmented internal cuts and simplified diagonals suggest an emphasis on distinctive silhouette and a cohesive “system” feel for interface and title applications.
Diagonal letters (like K, V, W, X, Y, Z) are simplified into sturdy, angular constructions that match the squared curvature elsewhere. The lowercase follows the same geometric logic as the uppercase, with single-storey a and g and compact, squared bowls; punctuation and dots appear as rounded squares, reinforcing the systemized design language.