Cursive Andag 12 is a regular weight, very narrow, high contrast, italic, very short x-height font.
Keywords: greeting cards, invitations, quotes, craft branding, packaging, playful, casual, whimsical, friendly, crafty, handwritten warmth, calligraphic flair, display emphasis, personal touch, looped, bouncy, tall ascenders, rounded, expressive.
A slim, flowing script with a pronounced rightward slant and high-contrast strokes that shift between hairline entry/exit strokes and heavier downstrokes. Letterforms are tall and airy, with long ascenders and descenders and a notably small lowercase body that makes capitals stand out. Strokes show a hand-drawn rhythm with soft curves, occasional tapered terminals, and looped structures in several letters; connections are selective rather than strictly continuous, creating a lively, variable cadence across words. Numerals follow the same calligraphic logic, mixing simple monoline curves with thicker downstroke accents for an integrated, handwritten look.
This font fits best in short to medium-length display settings such as greeting cards, invitations, social graphics, product tags, and boutique packaging. It also works well for pull quotes and headings where a handwritten, personable tone is desired and the delicate hairlines can be given enough size and spacing to remain crisp.
The overall tone is lighthearted and personable, like neat marker-and-pen handwriting used for notes, labels, and friendly headlines. Its springy motion and looping details lend a whimsical, crafty feel without becoming overly ornate.
The design appears intended to mimic a polished, modern cursive hand with a calligraphic contrast, balancing legibility with expressive loops and tall, elegant proportions. It aims to provide a friendly script voice that feels crafted and human while still consistent enough for repeatable branding.
Capitals are especially prominent and decorative compared to the compact lowercase, which can make title casing and short phrases read with strong contrast. The narrow proportions and sharp contrast favor larger sizes, where the thin connecting strokes and counters stay clear.