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Free for Commercial Use

Sans Superellipse Nukus 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Bhelt' by Fateh.Lab, 'Bolton' by Fenotype, 'Kontesa' by FoxType, 'Mowray' by Graha Type, 'PODIUM Soft' by Machalski, 'Nicon' by Sign Studio, 'Fixture' by Sudtipos, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, confident, punchy, playful, retro, compact, maximum impact, space-saving display, retro poster, brand presence, blocky, rounded, stencil-like, squat caps, tight spacing.


Free for commercial use
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This typeface uses heavy, compact strokes with rounded-rectangle shaping throughout, producing chunky counters and softened corners. Curves and straights feel carved from the same superelliptical geometry, giving letters a uniform, molded look rather than a calligraphic one. Terminals are mostly flat and squared-off, while inner apertures are relatively small, creating dense texture in words. The overall rhythm is tight and energetic, with slightly idiosyncratic widths and some wedge-like joins that add a subtle, cut-out character.

It’s well-suited to short, high-impact typography such as headlines, posters, signage, and brand marks where a compact, heavy voice is desired. The sturdy shapes also work well for packaging and label-style graphics, especially when you want a retro-leaning, playful presence. For extended text, it will perform best when given generous size and spacing to keep counters from filling in visually.

The tone is bold and attention-grabbing with a friendly, slightly quirky edge. Its rounded block forms evoke mid-century and poster lettering, reading as assertive but not harsh. The dense silhouette and compact counters give it a loud, headline-forward personality.

The design intention appears to be a display sans with a sculpted, superelliptical construction that maximizes impact in tight horizontal space. By pairing very heavy strokes with rounded-rectangle forms and small apertures, it aims to create a distinctive, poster-ready texture that remains approachable and graphic.

In the sample text, the strong black mass and tight internal spacing make it feel best at larger sizes, where the rounded corners and quirky joins are easier to appreciate. Numerals share the same chunky construction and look designed to hold their own in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸