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Sans Rounded Veri 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Pantograph' by Colophon Foundry, 'Otter' by Hemphill Type, 'Genesee JNL' by Jeff Levine, 'Clintone' by Jinan Studio, 'Bourton' and 'Bourton Hand' by Kimmy Design, and 'Eloque' by Prestigetype Studio (names referenced only for comparison).

Keywords: kids branding, posters, headlines, packaging, stickers, playful, friendly, bubbly, kidlike, casual, approachability, playfulness, impact, simplicity, softness, soft, chunky, blunt, rounded, bouncy.


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A heavy, rounded sans with uniform stroke weight and generously softened corners throughout. Shapes are compact and slightly condensed, with wide counters in letters like O, B, and P that keep the black weight from feeling cramped. Curves dominate the construction, while straight stems and arms terminate in pill-like ends, giving the alphabet a consistently cushioned silhouette. Lowercase forms are simple and sturdy, with a single-storey a and g and minimal contrast; punctuation and figures match the same thick, rounded logic for a cohesive texture in text.

Well suited to display typography where an upbeat, friendly presence is needed—children’s products, playful branding, posters, packaging, and attention-grabbing headlines. It can also work for short UI labels or social graphics when a soft, approachable tone is preferred over a neutral sans.

The overall tone is cheerful and approachable, with a toy-like softness that feels informal and welcoming. Its chunky, rounded forms suggest humor and warmth rather than precision or formality, lending a lighthearted voice to short messages and bold headings.

The design appears intended to deliver maximum friendliness and impact through thick, rounded construction and simplified, easily recognizable forms. By keeping strokes uniform and terminals fully rounded, it prioritizes a consistent, approachable silhouette that remains legible in bold, high-contrast applications.

Spacing reads open for such a heavy style, helping letterforms stay distinct at display sizes. The design’s strong roundness creates a pronounced rhythm in repeated curves (o, e, s), while squared structures (E, F, T) remain softened enough to maintain the same friendly personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸