Outline Koga 3 is a regular weight, very wide, high contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, stickers, playful, retro, cartoon, bold, bouncy, attention, dimensionality, nostalgia, friendliness, signage, rounded, blocky, outlined, shadowed, chunky.
A rounded, blocky display face built from an outlined contour with open interiors. The letterforms are wide and softly squared, with smooth curves and generous counters that keep shapes legible despite the single-line outline construction. A consistent, offset drop-shadow-like contour sits behind and to one side of each glyph, creating a dimensional, sticker-like silhouette. Strokes show pronounced contrast between thicker verticals and thinner connections, and terminals are generally blunt with softly radiused corners, giving the set a cohesive, buoyant rhythm across caps, lowercase, and numerals.
Best suited to short, high-impact settings such as headlines, posters, branding marks, packaging fronts, and playful signage. The outlined structure and shadowed contour make it particularly effective when you want a dimensional, graphic look at larger sizes, especially on clean, high-contrast backgrounds.
The overall tone is upbeat and nostalgic, leaning toward comic signage and mid-century display graphics. The outline-plus-shadow effect adds a lively, promotional feel—attention-getting without becoming aggressive—while the rounded geometry keeps it friendly and approachable.
The design appears intended as a cheerful display font that delivers instant visual pop through an outline construction and a consistent extruded/shadowed contour. Its rounded, wide forms prioritize friendliness and sign-like clarity, aiming for a vintage-inspired, attention-grabbing presence in titles and branding.
Lowercase forms echo the caps with similarly wide proportions and simplified construction, and numerals follow the same rounded, outlined logic for consistent color on the line. The dimensional contour creates built-in separation on light backgrounds, but the open interiors mean the face reads more like a decorative headline style than a text workhorse.