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Free for Commercial Use

Groovy Athi 9 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Puddy Gum' by Agny Hasya Studio, 'Mianga' by Differentialtype, 'Milkyway' by RagamKata, and 'Hellonia' by RantauType (names referenced only for comparison).

Keywords: posters, headlines, packaging, album covers, festival promos, playful, retro, funky, friendly, bouncy, retro flair, playful impact, expressive display, poster punch, rounded, blobby, soft, bulbous, wavy.


Free for commercial use
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A heavy, rounded display face with blobby, softly swelling strokes and generously curved terminals. Letterforms are built from inflated shapes with subtly irregular contours, creating a lively, hand-formed feel while maintaining consistent weight and solid, closed counters. The rhythm is bouncy and compact, with simplified geometry and minimal sharp corners; joins and intersections tend to pinch slightly, reinforcing a liquid, organic silhouette. Numerals and punctuation follow the same puffy construction for a cohesive, high-impact texture in text.

Best suited to display applications such as posters, headlines, signage, and bold social graphics where its chunky, groovy forms can carry the layout. It also fits playful packaging, event and festival promotion, album or playlist artwork, and brand marks that benefit from a warm, retro-leaning voice.

The overall tone is cheerful and nostalgic, evoking a late-60s/70s poster sensibility with a relaxed, feel-good energy. Its soft, inflated shapes read as approachable and humorous, leaning more toward fun and whimsy than precision or formality.

The design appears intended to deliver maximum personality through inflated, organic forms and a slightly irregular rhythm, creating a bold decorative texture that feels handmade and era-referential. It prioritizes expressive silhouette and mood over neutral readability, aiming for instantly recognizable, fun display typography.

The dense black mass and rounded apertures make it most effective at larger sizes, where the subtle irregularities and soft modulation are clearly visible. In longer lines, the strong texture can become dominant, so generous tracking and ample line spacing help maintain clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸