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Serif Flared Mole 8 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Apud' and 'Mafra Deck Condensed' by Monotype and 'Evans' by Zetafonts (names referenced only for comparison).

Keywords: headlines, editorial, book covers, posters, branding, classic, authoritative, formal, literary, display impact, classic tone, engraved feel, editorial voice, bracketed, flared, tapered, calligraphic, sculpted.


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A high-contrast serif with strongly tapered, flared stroke endings and crisp, triangular serifs that read as carved rather than slabby. The thick strokes are substantial and compact, while thin connections are hairline-like, giving the letterforms a chiseled, engraved feel. Curves are full and smooth, counters are moderately tight, and the overall spacing feels sturdy and headline-forward. Lowercase forms show a traditional structure with pronounced terminals and a clear, vertical stress; numerals share the same heavy/light rhythm and sharp finishing details.

This face is well suited to display sizes such as magazine and newspaper headlines, book and album covers, posters, and brand marks that benefit from a traditional, authoritative voice. It can also work for short bursts of text—pull quotes, section openers, packaging callouts—where its high contrast and sharp terminals remain clear.

The font conveys a confident, old-world formality with a slightly dramatic, editorial tone. Its sharp serifs and pronounced contrast suggest tradition and authority, while the flared terminals add a decorative edge that feels refined rather than ornate.

The likely intention is to deliver a classic serif voice with heightened drama: a sturdy, compact footprint paired with pronounced contrast and flared, wedge-like terminals to create a distinctive, engraved presence at display sizes.

The design’s defining signature is the consistent flare into terminals across both straight and curved strokes, producing a cohesive “wedge-cut” rhythm. In dense settings the heavy verticals dominate, so it reads best when given breathing room and used where contrast and silhouette can lead.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸