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Free for Commercial Use

Sans Other Wizi 12 is a regular weight, wide, very high contrast, upright, tall x-height font.

Keywords: display, headlines, posters, branding, titles, futuristic, techno, modular, digital, experimental, distinctiveness, sci-fi ui, graphic texture, modular system, display impact, geometric, angular, segmented, stencil-like, monoline accents.


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A geometric, modular sans built from thick horizontal blocks paired with hairline vertical strokes, producing an extreme bar-and-wire construction. Letterforms are largely rectilinear with squared counters, occasional chamfered corners, and segmented crossbars that read like stacked bands. The rhythm alternates between heavy horizontal emphasis and sparse vertical supports, giving many glyphs an open, scaffolded feel. Spacing appears generous and the overall proportions lean broad, while the lowercase maintains a notably tall x-height and simplified, constructed shapes.

Best suited to display sizes where the segmented construction can be read clearly—headlines, posters, title cards, and bold brand wordmarks in tech or entertainment contexts. It can also work for short interface labels or album/film titling where a futuristic voice is desired, but extended body text will likely feel busy and harder to parse due to the heavy striping and open joins.

The font conveys a futuristic, techno tone with a schematic, digital texture. Its segmented strokes and stark black/white breaks evoke electronic displays, sci‑fi interfaces, and experimental graphic systems. The overall impression is bold and mechanical, with a slightly cryptic, coded personality.

The design appears intended as an experimental, modular sans that foregrounds horizontal banding and high-contrast segmentation. It prioritizes a distinctive digital/industrial aesthetic over conventional readability, aiming to create a strong graphic signature in short, prominent text.

The design relies on consistent horizontal banding, which creates strong line-by-line texture in text settings and prominent striping in all-caps. Several glyphs use minimal vertical connections and open counters, increasing the sense of fragmentation; this amplifies style but can reduce legibility at smaller sizes. Numerals and punctuation follow the same modular logic, maintaining a cohesive constructed system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸