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Free for Commercial Use

Sans Superellipse Luke 2 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Ft Thyson' by Fateh.Lab, 'Necia' and 'Necia Stencil' by Graviton, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, ui labels, packaging, techno, futuristic, industrial, playful, retro, modular geometry, interface tone, high impact, brand voice, rounded, squared, modular, geometric, soft corners.


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A compact geometric sans built from rounded-rectangle (superelliptical) forms and even, monoline strokes. Corners are consistently softened, terminals tend toward squared ends, and curves are minimized into squarish bowls, producing a modular, grid-friendly rhythm. The lowercase is simple and schematic, with single-story a and g, a short-armed r, and a narrow, upright stance overall; counters are tight but cleanly shaped. Numerals follow the same rounded-rect geometry, with blocky 0/8 and a straight, minimal 1, giving the set a cohesive, engineered look.

Well suited to headlines, logos, and short bursts of text where its rounded-rect construction can read as a deliberate stylistic choice. It also fits UI labels, signage, and packaging that want a clean, engineered feel without sharp corners, especially when set with a bit of extra letterspacing.

The overall tone is modern and tech-leaning, evoking digital interfaces, sci‑fi labeling, and retro-futurist hardware aesthetics. Its softened corners keep the voice friendly and approachable despite the industrial geometry, making it feel both utilitarian and playful.

The font appears designed to translate a rounded-rect, modular geometry into a full alphanumeric set, prioritizing consistency and a strong, contemporary silhouette. It aims to communicate a technical, interface-like character while remaining approachable through softened corners and simplified forms.

The design favors straight segments and squared bowls, which creates strong texture and a distinctive silhouette at display sizes. In longer text, the tight internal spaces and compact proportions create a dense, assertive color that reads best with generous tracking or larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸