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Sans Faceted Nyto 12 is a bold, very narrow, monoline, upright, tall x-height font visually similar to 'Darknight' by Din Studio, 'Stallman Round' by Par Défaut, and 'Monbloc' by Rui Nogueira (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, industrial, techno, architectural, stern, mechanical, compact impact, geometric rigidity, industrial voice, retro futurism, condensed, angular, faceted, octagonal, blocky.


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A tightly condensed, all-caps–friendly display sans built from straight strokes and clipped corners. Curves are largely replaced by planar facets, producing octagonal counters and chamfered terminals throughout. Strokes read as largely even in thickness with hard, squared joins, and the letterforms are tall with compact sidebearings and a compressed overall width. The lowercase follows the same rigid construction, with simplified bowls and angular hooks; numerals and punctuation keep the same beveled, geometric logic for a consistent texture in lines of text.

Best suited to headlines and short bursts where its compressed width and faceted geometry can read as intentional style. It works well for branding in industrial, tech, automotive, or gaming contexts, and for signage or packaging that benefits from a stamped/engineered look. For longer passages, larger sizes and generous tracking help preserve clarity.

The overall tone is utilitarian and engineered, with a crisp, no-nonsense voice that feels mechanical and tech-adjacent. Its sharp bevels and narrow stance evoke signage, stenciled labeling, and retro-futurist display typography rather than conversational reading.

The design appears intended to translate a geometric, chamfered construction into a compact display alphabet—prioritizing a strong vertical presence, crisp corners, and a uniform, fabricated feel. Its consistent bevel logic suggests a focus on creating a cohesive system for impactful titling and labeling.

The faceting creates distinctive rhythm in text: repeated verticals and chamfered corners produce a marching, modular texture. Round-heavy letters (like O/C/G) take on a polygonal silhouette, which increases character but also raises visual density at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸