Sans Faceted Anti 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bike Tag JNL' and 'Celluloid JNL' by Jeff Levine, 'Evanston Tavern' by Kimmy Design, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming ui, packaging, industrial, techno, sporty, arcade, military, impact, ruggedness, tech styling, display, faceted, octagonal, angular, blocky, compact.
A heavy, block-built sans with sharp planar cuts that replace curves, giving each glyph an octagonal, machined silhouette. Strokes are consistently thick and monolinear, with frequent chamfers at corners and squared internal counters that read like cutouts. The forms are compact and upright, with a sturdy baseline and clear verticals; diagonals are handled with crisp, straight facets rather than smooth joins. Overall spacing appears tight-to-moderate, producing a dense, high-impact texture in words and lines.
Best suited to short, prominent settings where its angular construction can be appreciated—headlines, posters, branding marks, team or event graphics, and game titles or interface labels. It can also work on packaging and labels that benefit from a tough, technical aesthetic, especially at medium-to-large sizes.
The faceted geometry and hard corners convey a utilitarian, engineered tone—part industrial signage, part retro digital/arcade energy. Its mass and sharpness feel assertive and disciplined, lending a competitive, tactical mood that can skew sporty or militaristic depending on context.
The design appears intended to deliver maximum impact with a coherent faceted geometry, translating classic sans structures into chiseled, planar forms. It prioritizes presence and a distinctive industrial/tech voice over neutrality, aiming for immediate recognition in display typography.
Round letters such as O/C/G/Q are rendered as squared-off octagons, and many joins terminate in beveled cuts that create a distinctive stencil-like bite without actually opening the strokes. Numerals follow the same angular logic, maintaining a consistent, rugged rhythm across mixed alphanumerics.