Sans Normal Arnoj 17 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Grift' by 38-lineart, 'Izmir' by Ahmet Altun, 'BR Segma' by Brink, 'Nicky Sans' by Digitype Studio, 'Rotunda' by TipoType, and 'Segment' by Typekiln (names referenced only for comparison).
Keywords: ui text, body text, branding, signage, editorial, modern, neutral, clean, friendly, functional, versatility, clarity, contemporary, systematic design, geometric, rounded, even, open, crisp.
This is a clean, geometric sans with largely circular bowls, smooth curves, and straight-sided stems. Terminals are mostly horizontal or cleanly cut, producing a crisp texture without decorative endings. Proportions feel balanced with open apertures and generous counters, creating a steady rhythm in both uppercase and lowercase. The lowercase shows a simple, single-storey construction for several forms and maintains consistent stroke behavior across curves and joins, keeping the overall color even in text.
It suits user interfaces and product typography where legibility and a steady typographic color are important. The clean geometry also works well for branding systems, dashboards, and corporate materials, and it scales reliably into signage and short editorial passages. In display sizes it gives headlines a contemporary, no-nonsense presence without looking harsh.
The font reads as modern and neutral with a slightly friendly tone driven by its rounded geometry. It feels straightforward and utilitarian rather than expressive, aiming for clarity and visual calm. The overall impression is contemporary and approachable, suitable for designs that need to look current without calling attention to the letterforms.
The design appears intended as a versatile, modern workhorse sans: geometric enough to feel contemporary, but restrained enough to remain readable in longer settings. Its consistent shapes and open interior space suggest a focus on clarity and broad applicability across digital and print contexts.
Circular letters (like O, C, and G) appear close to true-round, while diagonals (V, W, X, Y) are sharp and clean, adding some snap to headings. Figures are simple and readable, aligning stylistically with the uppercase and maintaining the same geometric, uncluttered construction.