Sans Superellipse Odry 7 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Gomme Sans' by Dharma Type, 'Lustra Text' by Grype, 'Nizzoli' by Los Andes, 'Glint' by Pesic, and 'Bloery' by Runsell Type (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, signage, techy, friendly, modern, chunky, sporty, impact, modernization, approachability, brand presence, display clarity, rounded, squared, geometric, soft corners, monoline.
A heavy, geometric sans built from rounded-rectangle and superellipse forms, with soft corners and largely uniform stroke weight. Counters are compact and often rectangular, and curves transition into flats with a crisp, engineered feel rather than fully circular construction. The proportions are broad and stable, with short apertures and generous terminals that create dense, high-impact word shapes. Numerals and uppercase share the same squared-round logic, producing a consistent, modular texture across lines of text.
Best suited for bold headlines, branding, and short statements where its compact counters and rounded-squared geometry can deliver maximum impact. It can work well for logos, product packaging, signage, and digital UI moments that need a strong, friendly, modern voice, especially at larger sizes.
The overall tone is contemporary and confident, balancing a friendly softness from the rounded corners with a strong, industrial solidity from the squared curves. It reads as tech-forward and utilitarian, with a slightly playful, game-like presence when set in big headlines.
The font appears designed to deliver a contemporary geometric look with softened corners, pairing a sturdy, rectangular skeleton with rounded transitions for approachability. Its consistent construction suggests an intention to provide a distinctive, high-visibility display voice that still maintains clear, repeatable forms across letters and numbers.
The design emphasizes blocky silhouettes and tight internal spaces, which helps it hold together at display sizes while giving text a compact, poster-like color. Diacritics aren’t shown, but the basic Latin set displays a consistent rounding strategy across joints, diagonals, and bowls.