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Free for Commercial Use

Serif Flared Hyluw 12 is a bold, wide, medium contrast, italic, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio; 'Galvani' by Hoftype; 'Skeena' by Microsoft Corporation; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; 'Arlonne Sans Pro' by Sacha Rein; and 'Kobern' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, editorial, packaging, sporty, confident, energetic, vintage, attention, momentum, impact, personality, bracketed, flared, swashy, dynamic, high-ink.


Free for commercial use
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A bold, forward-leaning serif with flared, bracketed terminals and a compact, high-impact silhouette. Strokes show a clear calligraphic bias: heavier downstrokes, tapered joins, and curved entries/exits that create a lively rhythm without becoming overly delicate. The letterforms are generously proportioned with open counters and rounded bowls, while capitals present strong, slightly condensed shapes that read firmly at display sizes. Numerals are robust and curvy, matching the italic slant and the softened, flared endings seen throughout.

Best suited for headlines, posters, and brand marks where a strong italic serif can carry personality and momentum. It also works well for editorial display—section openers, pull quotes, and cover lines—where bold texture and lively terminals help create hierarchy and emphasis.

The overall tone is assertive and kinetic, pairing a classic serif foundation with a modern, punchy italic attitude. It feels bold and promotional, with a slightly vintage, athletic flavor that suggests speed and confidence rather than quiet refinement.

The design appears intended to deliver a forceful, attention-grabbing italic serif that blends traditional flared finishing with contemporary boldness. It prioritizes expressive rhythm and standout texture for display typography while keeping counters open enough to remain readable in short paragraphs.

Diagonal forms (like in V, W, X, and the italicized lowercase) emphasize motion through sharp internal angles balanced by smooth curves and generous terminals. The spacing appears built for headline presence, with a dense color and clear word-shape even in longer sample text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸