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Free for Commercial Use

Outline Ipny 10 is a regular weight, narrow, monoline, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, retro, technical, playful, futuristic, quirky, display impact, retro-tech, space saving, distinctiveness, modular consistency, rounded corners, inline details, notched, geometric, condensed.


Free for commercial use
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A condensed, monoline outline design with squared proportions and generously rounded corners. The letterforms are built from continuous outer contours, often interrupted by small notches, inset counters, and occasional interior “window” marks that create a schematic, cut-out feel. Curves are minimal and tightly controlled, with most shapes resolving into straight stems, right angles, and softened terminals; joins stay clean and consistent, giving the alphabet a steady vertical rhythm. Numerals and punctuation follow the same modular logic, with compact forms and consistent stroke spacing that keep the outlines readable at display sizes.

Best suited to display work where its outline construction and interior cut details can remain clear—posters, headlines, branding marks, packaging titles, and short signage phrases. It can also work as a stylistic accent in UI or editorial layouts when used sparingly and at larger sizes.

The overall tone reads retro-futuristic and technical, like labeling on instruments or vintage sci‑fi interfaces, while the rounded corners and quirky internal cuts add a light, playful character. It feels engineered and orderly, but with enough idiosyncratic details to come across as distinctive rather than strictly utilitarian.

The design appears intended to deliver a condensed, space-saving display face with a retro-tech personality, using outline construction and small internal cutouts to create texture and differentiation without adding stroke weight. Its consistent geometry suggests an emphasis on modular coherence and graphic impact in titles and branding.

Several glyphs incorporate small inset elements and deliberate gaps that behave like inline cutouts, helping differentiate similar forms within the narrow proportions. The design’s visual color is relatively light because only the contours are drawn, so it benefits from ample size and contrast against the background.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸