Sans Superellipse Adkih 3 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui design, app branding, product labels, wayfinding, dashboards, techy, clean, modern, utilitarian, systematic, clarity, interface use, geometric cohesion, functional branding, technical tone, rounded corners, squared bowls, straight terminals, open counters, generous spacing.
A geometric sans built from rounded-rectangle curves and straight segments, with consistently softened corners throughout. Strokes appear even and monoline, with flat, mostly horizontal/vertical terminals and a compact, engineered feel. Round letters (C, G, O, Q, 0) read more like squared ovals, while interior counters stay relatively open, keeping forms clear. The lowercase shows simplified, single-storey constructions (notably a and g) and a short, functional t, reinforcing a pragmatic, modular rhythm.
Well-suited to user interfaces, dashboards, and product experiences where a clean geometric texture and high consistency matter. It should also work for signage and labeling, especially where rounded-rectangle styling complements industrial or digital contexts. In branding, it fits modern tech, tools, and minimalist packaging that benefits from a precise, friendly-neutral voice.
The overall tone is contemporary and technical, suggesting interfaces, hardware labeling, and digital products. Rounded corners temper the geometry, giving it a friendly, approachable edge while still feeling precise and system-driven. It reads more utilitarian than expressive, with a calm, controlled cadence.
The design appears intended to translate a rounded-rectangle geometry into a practical, readable sans for contemporary digital and product use. It prioritizes consistent construction, clarity in alphanumerics, and a restrained, modern texture that stays cohesive across headings and short-to-medium text.
Figures are similarly squared and stable, aligning well with the letterforms; the 0 is distinctly shaped for clarity, and punctuation-like details (such as the i dot) appear deliberately squared. The sample text shows consistent texture across mixed-case lines, with clear word shapes and a steady horizontal flow.