Sans Normal Arnar 6 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'HeiS ASC Simplified Chinese' by Ascender; 'Swiss 721', 'Swiss 721 Hebrew', and 'Swiss 721 WGL' by Bitstream; 'Arial Nova' by Monotype; and 'Cern' by Wordshape (names referenced only for comparison).
Keywords: ui design, editorial, product design, signage, presentations, neutral, modern, clean, technical, corporate, clarity, neutrality, versatility, readability, modernization, humanist, open apertures, rounded bowls, flat terminals, clear numerals.
A straightforward sans with even stroke thickness and a largely geometric backbone softened by subtly humanist details. Curves are smooth and round (notably in C, O, and S), while terminals are mostly flat and crisp, giving the design a tidy, contemporary edge. Uppercase proportions feel balanced and stable, with wide, open counters in letters like B, D, and P; the G includes a clear horizontal spur. Lowercase forms prioritize clarity with open apertures (c, e) and simple, unembellished structures; the a is single-storey and the g is single-storey with a rounded lower bowl and a clean ear. Numerals are simple and highly legible, with an open-top 4 and a cleanly drawn 1 and 7.
This font fits well in user interfaces, dashboards, and product experiences where clear letterforms and predictable rhythm matter. It also suits editorial layouts, reports, and presentations that call for a contemporary, unobtrusive sans, and it can work for signage and labeling where quick recognition is important.
The tone is neutral and modern, aiming for dependable readability rather than personality-driven styling. Its restrained geometry and open forms convey a practical, professional feel suitable for interface and informational contexts.
The design appears intended as a general-purpose, highly legible sans: clean construction, open counters, and uncomplicated shapes that stay readable in continuous text and in prominent headings without calling attention to the letterforms themselves.
Spacing and rhythm read as even and composed in text, with consistent curves and counters supporting smooth line flow. The punctuation and word shapes in the sample text suggest a design optimized for clear scanning at a range of sizes.