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Free for Commercial Use

Sans Normal Akgah 15 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Giriton' by Hazztype, 'Axiforma' by Monotype, 'Madani' and 'Madani Arabic' by NamelaType, 'Mazzard' and 'Mazzard Soft' by Pepper Type, 'TT Commons Classic' by TypeType, and 'Segment' by Typekiln (names referenced only for comparison).

Keywords: headlines, branding, ui labels, posters, packaging, modern, friendly, confident, clean, approachable, clarity, versatility, modern utility, brand presence, approachability, geometric, rounded, high contrast counters, compact terminals, large apertures.


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A sturdy sans with geometric construction and generously rounded curves, set on a consistent, even stroke. Bowls and rounds (C, O, Q, a, e) lean toward circular forms with smooth joins, while verticals and horizontals stay clean and straight. Terminals are mostly square-cut with subtle rounding in the overall silhouette, giving a crisp but not sharp feel. Lowercase forms are simple and highly legible, with a single-storey “a” and “g”, a compact ear on “g”, and a clean, unadorned “t”. Numerals are straightforward and well-balanced, with a clear, open “4” and rounded “6/8/9” that match the letterforms’ soft geometry.

This font suits display-forward applications such as headlines, brand marks, packaging, and poster typography where strong presence and clarity are needed. Its clean geometry and open forms also make it a good fit for interface labels, dashboards, and short-form editorial callouts.

The overall tone is contemporary and friendly, combining a confident weight with gentle roundness. It reads as practical and straightforward rather than quirky, lending a calm, dependable voice that still feels approachable in headings and short text.

The design appears intended as a versatile geometric sans that delivers impact without sacrificing legibility. By pairing simplified, rounded structures with restrained detailing, it aims to work across contemporary identity and digital contexts while maintaining a friendly, accessible tone.

Spacing appears even and orderly in the sample text, supporting solid word shapes at larger sizes. Circular letters maintain consistent proportions across cases, and the uppercase set feels slightly more compact and poster-ready than the lowercase, which stays open and readable.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸