Sans Normal Meniv 5 is a very bold, wide, low contrast, italic, tall x-height font visually similar to 'Archetica' by Almarkha Type, 'Gotham' by Hoefler & Co., 'Neue Haas Unica' and 'Neue Haas Unica Paneuropean' by Linotype, 'Hexos' by RantauType, and 'Clinto' and 'Inovasi' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, advertising, packaging, sporty, dynamic, confident, punchy, modern, impact, speed, attention, modernity, clarity, oblique, geometric, compact joins, rounded counters, angular terminals.
A heavy, forward-leaning sans with broad proportions and smooth, rounded counters. Strokes are consistently thick with minimal modulation, giving the letters a dense, high-impact color on the page. Curves are built from simple, geometric arcs while many joins and terminals are cut on a diagonal, producing crisp wedges on forms like A, K, V, W, and Y. The lowercase shows a large x-height with sturdy bowls and compact apertures, and the numerals are equally weighty with open, readable interiors.
Best used where strong presence is required: headlines, posters, sports and event graphics, and bold promotional layouts. It also works well for short bursts of text such as banners, labels, and packaging callouts where the heavy forms and oblique stance can carry the message at a glance.
The overall tone is energetic and assertive, with a speed-driven slant and stout shapes that feel contemporary and athletic. Its chunky rhythm and angled cuts convey momentum and confidence, suited to attention-grabbing messaging.
Designed to deliver maximum impact with a streamlined, geometric construction and a forward-leaning stance that suggests speed. The consistent weight and simplified shapes prioritize clarity and punch over delicate detail, aiming for high visibility in display settings.
The spacing and silhouette emphasize mass and stability, while the oblique angle keeps long lines feeling lively. Round letters (O, C, G, e, o) stay clean and geometric, contrasted by sharper diagonal decisions in the straight-sided glyphs and the angled stroke endings.