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Sans Other Rekes 5 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Bs Kombat' by Feliciano, 'Digot 03' by Fontsphere, 'Augment' and 'Blanco' by Umka Type, and 'Brandford' by ahweproject (names referenced only for comparison).

Keywords: headlines, posters, branding, gaming ui, sports graphics, industrial, techno, futuristic, authoritative, retro digital, space saving, high impact, tech aesthetic, modular construction, condensed, rectilinear, angular, square counters, notched terminals.


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A condensed, all-cap-height sans with a strictly rectilinear construction and uniform stroke weight. Letterforms are built from straight verticals and horizontals with hard corners, frequent step-like cut-ins, and squared counters; curves are largely avoided in favor of faceted or octagonal joins (notably in rounded letters and numerals). The overall rhythm is tight and vertical, with small apertures and compact internal spaces that create a dense, high-contrast texture in text despite the monoline structure. Numerals and capitals share the same tall, narrow stance, producing a consistent, poster-like color across lines.

Best suited for short, high-impact settings such as headlines, posters, packaging marks, team/sports graphics, and gaming or interface treatments where a condensed, engineered look helps conserve space while staying loud. It can work for labels and signage-style layouts, but the tight apertures and dense texture may require generous tracking and size for comfortable reading in longer text.

The font conveys an industrial, techno tone—mechanical, controlled, and slightly aggressive. Its squared geometry and stencil-like notches suggest digital readouts, sci‑fi interfaces, or engineered signage, while the condensed proportions add urgency and impact.

The design appears intended to deliver maximum presence in a compact width through a modular, straight-edged construction. Its notched details and squared counters aim to create a distinctive techno/industrial identity while maintaining a consistent, highly structured rhythm across letters and numbers.

Many glyphs incorporate distinctive notches and stepped joints that read like modular, constructed parts rather than drawn strokes. The lowercase appears intentionally reduced in complexity and closely aligned to the uppercase style, which reinforces a uniform, display-driven voice and can make long passages feel visually insistent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸