Script Opgak 3 is a bold, normal width, medium contrast, italic, short x-height font.
Keywords: branding, logotypes, headlines, invitations, packaging, elegant, friendly, vintage, inviting, playful, signature feel, decorative display, handcrafted tone, expressive branding, celebratory text, brushy, rounded, looping, swashy, calligraphic.
A flowing, brush-like script with a consistent rightward slant and rounded, full terminals. Strokes show gently modulated thickness that suggests pressure from a pen or brush, with smooth curves and frequent entry/exit strokes that encourage connective rhythm even when letters are shown separately. Capitals are larger and more ornate, featuring open bowls, looped forms, and occasional flourish-like curls, while lowercase letters stay compact with a relatively low x-height and soft, bulbous joins. Numerals match the cursive tone, using rounded shapes and subtle swashes that keep them visually integrated with the letterforms.
Well-suited for branding and logotypes that need a personable signature feel, as well as headlines on posters, social graphics, and editorial callouts. It also fits invitations, greeting cards, and packaging where a warm, crafted tone is desired and the generous curves can be given room to breathe.
The overall tone feels warm and personable while still polished, blending a classic, slightly retro handwriting charm with a confident headline presence. Its sweeping curves and soft, rounded forms give it an approachable elegance suited to expressive, celebratory messaging rather than strictly utilitarian text.
This design appears intended to deliver an expressive, brush-script look that balances readability with decorative flair. The emphasis on rounded terminals, looped capitals, and a steady italic motion suggests a font meant to add personality and a handcrafted finish to display typography.
Spacing and letter widths vary naturally, creating a lively baseline rhythm and a hand-drawn cadence. The heavier stroke presence and pronounced capitals make it especially prominent at larger sizes, where the loops and terminals read as intentional stylistic features.