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Sans Superellipse Onrom 2 is a bold, normal width, monoline, upright, normal x-height font.

Keywords: ui labels, headlines, branding, posters, gaming, futuristic, tech, arcade, industrial, utilitarian, digital feel, systematic, display impact, geometric clarity, screen-forward, squared, rounded, geometric, modular, compact.


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A geometric sans with squared, rounded-rectangle construction and consistently rounded corners throughout. Strokes are uniform and heavy, with generous internal radii that keep counters open and smooth despite the blocky silhouettes. Curves are rendered as superellipse-like corners rather than true circles, giving letters a compact, modular feel. Terminals are mostly blunt and squared-off, with occasional angled joins (notably in K, V, W, X) that add crisp directionality. Numerals and capitals share a consistent, engineered rhythm, and the overall spacing reads even and steady in text settings.

Well-suited to interface labels, dashboards, and product surfaces where a clean, tech-forward aesthetic is desired. It also performs strongly in headlines, posters, and branding that benefits from a futuristic or arcade-inspired feel. Because the texture is dark and compact, it is most effective for display and short-to-medium text rather than small, extended reading.

The tone is distinctly futuristic and technical, reminiscent of digital interfaces, arcade graphics, and industrial labeling. Its rounded-square geometry balances hardness with a friendly softness, producing a confident, modern voice that feels designed for screens and systems. The overall impression is efficient and machine-made rather than humanist or calligraphic.

The likely intention is to deliver a cohesive, modular geometric style built from rounded rectangles—prioritizing clarity, consistency, and a contemporary digital character. The simplified shapes and uniform stroke behavior suggest a design meant to feel systematic and engineered, with distinctive squared-round silhouettes that remain recognizable in bold applications.

The design favors rectangular bowls and squared counters, which gives many glyphs a stencil-like clarity without visible breaks. Lowercase forms are simplified and highly geometric, keeping a consistent modular vocabulary across letters and numerals. In running text, the strong, uniform strokes create a dense color that works best when ample size or spacing is available.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸