Print Ismun 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Firma' by Brink; 'Aftika', 'Aftika Soft', and 'Heavitas Neue' by Graphite; 'Poligon' by Halbfett; 'Nevaeh' by Kufic Studio; 'Kinetika' by Monotype; and 'Donuto' by Roman Melikhov (names referenced only for comparison).
Keywords: kids branding, posters, packaging, stickers, headlines, playful, friendly, chunky, bouncy, casual, approachability, fun display, hand-drawn feel, soft impact, rounded, soft, puffy, cartoonish, informal.
A heavy, rounded display face with softly blunted terminals and an irregular, hand-drawn silhouette. Strokes stay broadly even while corners swell into bulbous joins, producing a puffy, marker-like mass. Counters are compact and generously rounded (notably in O, P, R, a, e), and spacing feels loose and breathable despite the dense letterforms. Proportions are slightly inconsistent across characters, with a lively rhythm and small variations in width and curvature that reinforce the drawn-by-hand character.
Best suited to short, high-impact settings where personality matters more than typographic neutrality: children’s products, playful brand marks, casual packaging, stickers, social graphics, and bold headlines. It remains legible at larger sizes and in simple layouts, where the rounded forms and informal rhythm can read clearly without crowding.
The overall tone is cheerful and approachable, with a kid-friendly, cartoon sensibility. Its soft shapes and buoyant rhythm read as warm, non-serious, and welcoming—more like a playful sign or sticker lettering than a formal typographic voice.
Likely designed to deliver an immediately friendly, hand-drawn presence with maximum visual weight and soft geometry. The intent appears to be approachable display typography that feels crafted and spontaneous, while keeping letterforms simple and consistent enough for attention-grabbing titles and brand-forward messaging.
Uppercase forms are simplified and highly rounded, while lowercase retains a single-storey a and g and a compact, looped e, keeping the texture uniform and friendly. Numerals are similarly soft and chunky, with simplified shapes and rounded bowls; punctuation in the sample text appears bold and sturdy, maintaining the same inflated weight and softness.